Zara’s Bois Gracie C. McKeever ISBN: 9781606011652 Siren Publishing Reviewed By Josee Morgan
Official Apex Reviews Rating:
Zara’s Bois
is an intriguing collection of three different, yet equally compelling
stories, all united by one common factor: Zara Benjamin. A flighty,
self-centered ne’er do well, Zara prematurely leaves this earth after a
sudden tragic accident ends her brief life – but her departure soon
proves to be short-lived. Relegated to the confines of spiritual limbo,
she is given a series of difficult assignments by her appointed angelic
handlers, and her ultimate redemption in the eyes of her Creator
depends on her completion of the challenging tasks.
In “Zack
And The Dark Shaft,” Zara finds her disembodied spirit able to occupy
the person of her twin brother, Zack. The reason for her reincarnation?
To win the heart of the successful and sexy Quincy Powers, for whom
she’s always carried a fierce flame – but who also just happens to be
Zack’s object of affection. As badly as she wants Quincy all to
herself, Zara must contend with the fact that Zack wants him just as
much, and the ultimate test of her love for her beloved twin brother
may just prove too much for her to handle…
In “Ingenue’s
Choice,” Zara finds herself playing spiritual matchmaker for the most
unlikely of couples: Keir Monroe, a humble bartender by night and
undiscovered creative genius by day, and Patryk Andrews, a workaholic
accountant from the far opposite side of the tracks. In addition to
their obvious differences, Zara’s task is made even more difficult by
both Patryk’s past and present: his heart has still not healed from
being shattered before, and his snooty family – for obvious reasons –
would never approve of his coupling with Keir. Somehow, Zara must find
a way to get the men to break down the barriers impeding their shared
destiny…
Lastly, in “Bouncer’s Folly,” Zara awakens in the
body of Trevor Carmichael, drug-addicted party-hopper and all-around
bad boy. When Trevor OD’s on the bathroom floor of a popular nightspot
one evening, he’s resuscitated by luscious hunk of a bouncer Ramsey
Logan – only his spirit has forever departed his body, and Zara’s is
its new occupant. As Zara and Ramsey grow closer, she has the chance to
show the world that Trevor can reform his old ways and strive to repair
the considerable damage left in the wake of his self-destructive past –
a lesson that, for Zara, hits quite a bit close to home…
In Zara’s Bois,
Gracie C. McKeever undauntedly tackles the issue of closeted
homosexuality, compelling the reader in vicarious fashion to experience
the ultimate freedom and liberation embraced by her eclectic assortment
of characters. With Zara serving as a not-so-innocent bystander, each
of the men are brought face-to-face with their deepest fears, as well
as the enduring pain that keeps them shut off to the world at large.
Parallel to her own stint in spiritual limbo, the depths of their
emotional limbo are finally exposed, and they are presented with
once-in-a-lifetime opportunities to break the chains of their literal
and figurative oppression once and for all.
As has become her
trademark standard, McKeever presents each character in holistic,
three-dimensional fashion – not as stereotypical caricatures – allowing
the reader to confront his or her own personal prejudices regarding the
often-miscast world of homosexuality. By presenting the men in the
universal light of humanity, McKeever does ultimate justice to them and
their ongoing struggles, which are no different than anyone else’s –
regardless of sexual orientation. Furthermore, her emphasis on the
redeeming power of love is a reassuring, comforting theme sure to touch
the hearts of readers from every ethnicity, nationality, and background
imaginable.
Kudos to McKeever for taking a strong stand and
delivering a powerful, much needed message on the healing power of
redemption.
Official Apex Reviews Interview: Gracie C. McKeever (Zara's Bios)
Apex
Reviews: Thanks for joining us for this interview, Gracie. We're
looking forward to learning more about your latest book.
Gracie C. McKeever: As always, I’m happy to be here and look forward to chatting and discussing “Zara’s Bois”.
AR: What inspired you to combine the three different, yet connected stories into a singular volume?
GCM:
As most of my series do, “Zara’s Bois” started out as a single title.
The first story, “Zack and the Dark Shaft,” was a loose send-up on a
fairy tale (Jack and the Beanstalk). After “Nine Inches of Snow and the
Ebony Princess,” my first adult fairy tale for Siren Publishing, did so
well (still is doing pretty well, actually) I was asked to write
another fairy tale, but with an m/m theme. Chomping at the bit to write
a full-length m/m novel since my first m/m short story, Breaking and
Entering, I was more than happy to oblige, and I started throwing ideas
around for ZATDS. As the popularity of NIOS grew, my publisher asked if
I could turn ZATDS into a series, so I started looking at my plot and
characters to see where I could tweak and expand them to include future
stories. It was a natural progression to center the series around the
bar, Zara’s, where an assortment of people - both staff and customers -
come and go. Once I had the location and theme down, I started focusing
on who I could people the stories with. And the rest, as they say, is
history.
AR: Where did you
get the concept for "Zack And The Dark Shaft," specifically the idea of
both Zara and Zack occupying the same body at the same time?
GCM:
I already had a couple other books that dealt with reincarnation and
the dynamics of and relationship between twins - two pet themes of
mine. I also liked the idea of drastically reversing a character’s
fortune - bringing a black male character back as a white female, for
example, something I handled in “New Life Incognita”. In “In Plain
Sight” I handled two female souls briefly occupying and sharing the
same body while having sex with one of the women’s boyfriend (the
boyfriend was, incidentally, an identical twin, and the love scene
involving him and the “two” women was probably my first experience with
writing a ménage). With “Zack and the Dark Shaft,” I saw the
opportunity to expand on this plot device when I brought Zara back - to
get in the reincarnation, sex-switch and body-sharing theme all in one
book again and deal with the same sex (m/m) sex issue. That the souls
sharing the body were opposite-sex twins who were in love with the same
man added a nice dimension of internal conflict to the story and the
possibility for future stories when one of the twins (souls) finally
“loses” the battle and has to vacate Zack’s body. What happens with and
to the vacating soul was the basis for the rest of the series.
AR:
As powerful as their mutual attraction is, why is it so difficult for
Zack and Quincy to pursue one another until Zara intervenes?
GCM:
Though Quincy is gay, he knows how Zara feels about him. And, though he
knows nothing romantic can ever come of their relationship, he’s a
loyal friend and a good guy in general and doesn’t want to do anything
to hurt Zara. He sacrifices his own pursuit of possible happiness with
Zack in order not to hurt Zara. The same is true for Zack, though his
feelings of protectiveness for and loyalty to Zara run on a much deeper
level than Quincy’s. He’s her big brother and has always been there to
help and take care of her. Acting on his feelings for Quincy would hurt
Zara and be a betrayal of his sister, in Zack’s eyes. Even after Zara’s
death, there is still a level of guilt and angst for both Quincy and
Zack that gets in the way of their feelings for each other, and herein
lie some of each character’s internal conflict, and also Zara’s purpose
for being sent back. Though she has her own agenda, she’s the catalyst
- both in life and in death - that brings Zack and Quincy together.
AR:
As our reviewer mentioned - at least on the surface of things - Keir
and Patryk make for quite the unlikely couple. What is the source of
the attraction between them?
GCM: Each character sees
in the other what he wants and needs. Certainly their relationship
starts out as a physical and sexual attraction, but the attraction goes
much deeper than that. Keir is a natural Dominant, and Patryk is a
Submissive who’s been hurt by a Master in the past. Keir is naturally
drawn to the void he senses in Patryk and wants to fill it. Both men
have had dysfunctional and painful relationships in their past; they
are kindred souls, and, despite Keir’s being black, a talented artist
from a blue-collar, working class family, and Patryk’s being a white,
white-collar stock broker from a well-to-do family, the universality of
their past pain and relationships is what brings them together.
AR:
In "Bouncer's Folly," Zara is finally given her own personal shot at
redemption. Was that always the plan for her, according to the heavenly
designs of her angelic handlers?
GCM: Not initially,
no. I had no idea how I was going to bring Zara back after the end of
“Zack and the Dark Shaft” or how I was going to redeem her. But I knew
that, after everything she had gone through (and after everything she
had put her brother through), she needed redemption, and I wanted to
see her get her own happily ever after. As “Ingenue’s Choice”
progressed and Zara started to grow as a character and become less
self-absorbed, I (and Zara’s angels) began to see the potential for
further redemption and the inkling of an idea of how to bring her back
and what the plot of the final story would be. I really enjoyed the
idea of bringing the story and characters full circle in “Bouncer’s
Folly.”
AR:
Our reviewer mentioned just how well you develop each of the characters
in your stories. Is it difficult for you to craft them into holistic,
three-dimensional beings?
GCM: Once I outline my
characters’ goals (what they want), motivations (background), and
internal and external conflicts that are keeping them from reaching
their goals, it’s easy to think of my characters as real people with
the same wants and needs that we all have. Once the characters are real
to me, I can make them real and three-dimensional to my readers.
AR:
In the Dedication of the book, you give a special shout out to those
who are living their lives openly as homosexuals, refusing to closet
their lifestyles. Is there something in particular that makes this
issue one that's especially close to your heart?
GCM: I
have gay relatives and gay friends whom I care about and who live their
lives openly and proudly. I admire their courage to be whom and what
they are. So, in that way the issue is close to my heart and personal.
Also, and I guess being a minority, I understand the need for equality
and the civil rights issues that many gays are struggling for, the same
way African Americans struggled in the 60’s and are still struggling
today.
AR: The city of New
York - of which you are a proud native - tends to hold special sway in
most of your tales. What is it about the city that makes it so
appealing to you?
GCM: It has a confident vibe and
never sleeps! And, because of its diverse make-up - with people coming
from all walks of life, ethnic backgrounds, and religious and political
beliefs - it’s a place that’s rife with conflict and colorful, larger
than life characters, ripe for interesting storylines. I suppose the
same can be said for most big cities, but New York and its people just
seem to have a certain mystique about them (says the author in all
modesty).
AR: You are quite
the prolific author, and you don't appear to be losing any steam. What
advice would you give to aspiring authors seeking to develop the same
kind of illustrious career that you have?
GCM: Believe
in yourself and your talent, and don’t let anyone tell you that you
can’t do it. Keep writing. Never let an opportunity pass to learn, and
improve your craft. Don’t be afraid to take risks. And, finally, keep
writing!
AR: What have been some of the greatest highlights/achievements of your writing career thus far?
GCM:
The positive recognition from peers and critical acclaim from reviewers
are big highlights, but more when a fan reaches out, a paying customer
and reader to say that they love my work - now that’s special. I also
just achieved something earlier in the year that I never thought I’d
achieve again: my Siren Publishing title, Eternal Designs, was named a
2008 Romantic Times Award Nominee in the Best Erotic Romance &
Erotica Novel - Paranormal/Fantasy/Sci-Fi Erotic Romance Category. I
had previously garnered an RT nomination in 2002 for my Awe-Struck
E-Book title Flames Past (Best Small Press Paranormal), so getting
another nod was an exciting and pleasant surprise and started off my
New Year on a great positive note!
AR: What's next for you?
GCM:
January 12, 2009, will see the release of my first ménage à trois
story, “Sexual Healing for Three” (formerly “Bruised But Not Broken”),
the fifth story in my The Matchmaker series. As I probably mentioned
before, I have an erotica short story, Leap of Faith, due out in Zane’s
Eroticanoir anthology, “Sensuality: Caramel Flava 2” in Summer 2009.
And I’m also working on my second ménage à trois, a contemporary
interracial romance.
AR: Please share your website address with our readers one more time, so they can learn more about you.
AR: Also, please share your contact information, just in case they'd like to reach you directly.
GCM: Certainly. I can be reached at gwiz10@optonline.net.
AR: Any final thoughts you'd like to share with our readers?
GCM:
I hope they’ve enjoyed my work so far, and, if they haven’t picked up
one of books yet, what are they waiting for? If they want a taste of my
writing with no obligation, they can check out my site for links to
excerpts and free short stories, and then got out and buy one of my
books.
AR: Thanks again, Gracie, and best of continued success to you in all your endeavors!
GCM: Thanks for having me, Apex, and much success to you, too!